Interpretation of Early Music – selected chapters

Sources and modern editions; problems of transcriptions and editions
Relation between text, rhythm and metre.
Solo music and ensembles: vocal, instrumental and vocal-instrumental music.
Musical instruments.
Ornamentation.
Articulation.
Tempo.
Dynamics.
Tone systems and tuning.
Basso continuo.
The role of improvisation.
National schools throughout centuries.
The role of early music through the centuries.

Robert Donington. The Interpretation of Early Music. London: Faber & Faber, 1963. COBISS.SI-ID - 31470690
Lawson, Colin James in Robin Stowell. The historical performance of music: an introduction. Cambridge: Cambridge University Press, 1999. COBISS.SI-ID - 424839
MacClintock, Carol. Readings in the history of music in performance. Bloomington: Indiana University Press, 1979. COBISS.SI-ID - 9095
Strunk, Oliver in Leo Treitler (ur.). Source readings in music history. New York: Norton, 1998. COBISS.SI-ID - 17501794
A performer's guide to music of the baroque period. London: Associated Board of the Royal Schools of Music, 2010. COBISS.SI-ID - 52444514
Carter, Stewart (ur.). A performes's gudie to seventeenth-century music. Bloomington: Indiana University Press, 2012. COBISS.SI-ID - 53068898
Dolmetsch, Arnold. The interpretaton of the music of the Seventeenth and Eighteenth centuries: revealed by contemporary evidence. Seattle: University of Washingon Press, 1977. COBISS.SI-ID - 29553762
Veihan, Jean Claude. The rules of musical interpretation in the baroque era (17th–18th centuries), common to all instruments. Pariz: A. Leduc, 1977. COBISS.SI-ID - 35037538